I am excited to share with the world my easy to understand methodology that helps students sound great right away, and feel empowered by music!
I am a long time master flute teacher with a vast background of experience as an educator and performer both nationally and internationally, having maintained a varied career as an innovative chamber and orchestral musician, an international concerto and recital soloist, and a master flute teacher. For my students, I have developed a simple and easy to understand methodology that helps students sound great right away, giving them tangible tools for playing better and making progress. My focus is to give my students what they need to enjoy the art of making music and play with confidence and ease.
I am a leading specialist on Latin American music, and my repertoire spans from folk to classical music. Since my New York City debut recital at Carnegie Hall’s Weill Recital Hall in 1991, I have gone on to perform in Carnegie Hall’s Stern Auditorium for “Sonidos Latinos”, a celebratory festival of Latin American music. I have performed the Jacques Ibert Flute Concerto and the Mozart Concerto for Flute and Harp with the New York City Symphony at Lincoln Center’s Alice Tully Hall and Merkin Concert Hall, and have been a featured recital soloist at Wigmore Hall in London. I have performed with many of the leading symphony orchestras in Venezuela, my native country, premiering both the Jacques Ibert and Aram Khachaturian flute concerti with the Maracaibo and Venezuelan Symphony Orchestras respectively. In Peru, I gave the South American premiere of the Concerto for Flute and Orchestra by Mexican composer Samuel Zyman with the Philharmonic Orchestra of Lima. As an international soloist, my performances have taken me all over the world, including South Africa, Slovenia, Scotland, Japan, and China to name a few.
In the United States, I have frequently been a featured artist at the National Flute Convention, flute associations, and multiple artist series. Highlights of my 2016 and 2017 season include solo recitals at the New Jersey Flute Society, the Colorado Flute Association, the Arizona Flute Society, and the Utah Flute Association. Other solo recitals this season include performances at the Wilson Center in Milwaukee, the Art Institute of Chicago, the Suzuki Association of the Americas Biannual Conference, Four Seasons Arts in Oakland, and the Chamber Music Society of Detroit.
I have served as principal flute with The New York City Symphony Orchestra, Opera Northeast, and L’Orchestra in the Berkshires, and as associate principal flute with the Venezuelan Symphony Orchestra. In New York City, I performed with the Mostly Mozart Festival, and on Broadway for the musicals Miss Saigon, Annie, Showboat, and The Sound of Music.
An avid chamber musician, I have performed at The Chamber Music Society of Lincoln Center, the Chamber Music Society of Detroit, and with such distinguished artists as clarinetist Paquito D’Rivera, flutist William Bennett, flutist Ransom Wilson, harpist Nancy Allen, and oboist Heinz Holliger. I am a founding member of the chamber ensemble Classical Jam and have been a member of many critically acclaimed ensembles, among which are Triangulo, a Latin American Chamber Trio, and Quintet of the Americas. While with Quintet of the Americas, I performed at Carnegie Hall, The Bermuda International Music Festival, Chamber Music Northwest, Alice Tully Hall and Merkin Concert Hall.
On radio broadcasts, I have been featured nationwide as both a host and performer on NPR’s “Performance Today”. With host Fred Child, I was the featured artist for the program “Around New York” on WNYC. Other radio appearances include live performances on WQXR in New York City with Classical Jam. I have recorded on such recording labels as CRI, Chesky Records, MMC Records, Koch World, XLNT Records and Soundbrush Records. My solo recording are: “Music of Venezuela”, virtuoso flute music by living Venezuelan composers; “Luna”, a romantic serenade of songs from Venezuela and South America for flute and guitar; “Tango Dreams”, a compilation of works by Astor Piazzolla; and “Amanecer”, a collection of Venezuelan flute favorites.
Throughout my career I have been a dedicated educator, and a professional teaching artist, having hosted, presented and developed programs for Lincoln Center Education, Chamber Music Society of Lincoln Center, The New York Philharmonic, and Carnegie Hall to name a few. I was on faculty at the Longy School of Music of Bard College in Boston for over 6 years. Most recently, together with my wife Anna Conigliari, we founded The Granados Music Institute, an intensive training program for aspiring professional flutists.
Studying with Marco Granados has been revolutionary for me. His method is extremely organized and scientific. We addressed, examined, and dissected the fundamentals of flute playing that are often overlooking or insufficiently covered in a lot of flute pedagogy. I believe that the best teacher's teach their students to be their own best teacher and Marco has equipped me with the tools needed to identify issues in my playing as well as to problem-solve these issues on my own; in this way I have become an independent artist. I am forever grateful to Marco and all that he has taught me; I am a better flutist because of having studied with him.
Maestro Marco Granados is a teacher with a great professional commitment; dedicated and consistent with each of his students. He spends as much time as possible in solving any musical and artistic doubts, working every detail and getting the student to celebrate, not only the satisfactory result, but to understand the process and how to achieve success in any musical situation. He is a very human, sensitive and respectful teacher with a lot of experience as a soloist, orchestra musician and tutor. Each class with him means great professional and artistic growth, and without hesitation will make you not only the best flutist but a better person.
Marco Granados is one of the most passionate people I’ve known in the music world. His teaching techniques and scientific investigations make him be also one of the most knowledgeable. I love the flute more than ever because of him. He has always an answer for every imaginable question and he has a very special way of connecting with the student and our needs as flutists and artists. I could not recommend Professor Marco more. If you want to become your better self and a better flutist and musician you should trust him. He has so much to say and we have so much to learn from him.
Marco, is an excellent teacher, wise, patient, a philosopher of the instrument and the technique. He is also a sensitive and kind teacher. Involved with the particularities of each student. He helps you improve as a flutist, and also to project your career.